ANDREW KAUFMAN, CAMILLE MARTIN and BARRY WEBSTER
at the Robson Reading Series
Thursday, March 14, 2013, 7pm
UBC Bookstore at Robson Square
Robson Reading Series events are free and open to the public but registration is recommended. To register for this event, please click here.
Photo credit Lee Towndrow
Born Weird (Random House of Canada) tells the tale of the Weird family who have always been a little off, but not one of them ever suspected that they’d been cursed by their grandmother.
At the moment of the births of her five grandchildren Annie Weird gave each one a special power. Richard, the oldest, always keeps safe; Abba always has hope; Lucy is never lost and Kent can beat anyone in a fight. As for Angie, she always forgives, instantly. But over the years these so-called blessings ended up ruining their lives.
Now Annie is dying and she has one last task for Angie: gather her far-flung brothers and sisters and assemble them in her grandmother’s hospital room so that at the moment of her death, she can lift these blessings-turned-curses. And Angie has just two weeks to do it.
What follows is a quest like no other, tearing up highways and racing through airports, from a sketchy Winnipeg nursing home to the small island kingdom of Upliffta, from the family’s crumbling ancestral Toronto mansion to a motel called Love. And there is also the search for the answer to the greatest family mystery of all: what really happened to their father, whose maroon Maserati was fished out of a lake so many years ago?
The title of Looms signifies the weaving tool as well as the shadowing appearance of something, These “woven tales” were inspired by Barbara Guest’s statement that a tale “doesn’t tell the truth about itself; it tells us what it dreams about.” The strands of their surreal allegories converse, one idea giving rise to another, and the paths of their dialogue become the fabric of the narrative. In a second meaning, something that looms remains in a state of imminent arrival. Such are these tales, like parables with infinitely deferred lessons.
Camille Martin is the author four collections of poetry: Looms (Shearsman Books), Sonnets, Codes of Public Sleep, and Sesame Kiosk (out of print). A chapbook, If Leaf, Then Arpeggio, was recently released from Above/Ground Press.
She has presented and published her work internationally. One of her current poetry projects is “Blueshift Road.” She’s also working on “The Evangeline Papers,” a poetic sequence based on her Acadian/Cajun heritage and her participation in archaeological digs at an eighteenth-century village in Nova Scotia, where her finds included ancestral pipes and wine bottles. Martin earned an MFA in Poetry from the University of New Orleans and a PhD in English from Louisiana State University.
Photo credit Maxime Tremblay
In Barry Webster‘s latest novel, The Lava in My Bones (Arsenal Pulp Press), a frustrated Canadian geologist studying global warming becomes obsessed with eating rocks after embarking on his first same-sex relationship in Europe. Back home, his young sister is a high-school girl who suddenly starts to ooze honey through her pores, an affliction that attracts hordes of bees as well as her male classmates but ultimately turns her into a social pariah. Meanwhile, their obsessive Pentecostal mother repeatedly calls on the Holy Spirit to rid her family of demons. The siblings are reunited on a ship bound for Europe where they hope to start a new life, but are unaware that their disguised mother is also on board and plotting to win back their souls, with the help of the Virgin Mary.
Told in a lush baroque prose, this intense, extravagant magic-realist novel combines elements of fairy tales, horror movies, and romances to create a comic, hallucinatory celebration of excess and sensuality.
Barry Webster‘s first book, The Sound of All Flesh (Porcupine’s Quill), won the ReLit Award for best short-story collection in 2005. He has been a finalist for the National Magazine Award, the CBC-Quebec Prize, and the Hugh MacLennan Award. Originally from Toronto, he currently lives in East Montreal.
They have no maps. Ours, I’ll redraw.
Basma Kavanagh’s debut collection, Distillō, engages the natural world and seeks to explore our relationship to it. Hers is a poetics of description which subverts scientific observation and the authoritative language of nomenclature for mythopoetic ends. In the opening section (“Moisture”), precipitation is dissected and categorized, but ultimately the deluge of “rain making rain, /making rain” overwhelms controlled interrogation and undulating imagery saturates everything. Nomenclature reappears elsewhere in the book, attempting to anchor object poems about west-coast flora and fauna–salmon, elk, bear, bigleaf maple, bog myrtle–which otherwise drift toward the mythworld and gesture in the direction of the ethereal and the totemic. Understanding that language can be most precise when it harbours ambiguity and surprise, Kavanagh experiments with pattern poems and the layering of multiple voices in her attempt to express “a fullness /an absence /of self.” This is a book which turns over rocks and looks under them in search of truth in its soft, damp hiding places, poems which instruct us to “[d]escend. Blend /your knowing with the breath of earth”.
On February 27, 2012, 12.00PM-1.00PM, the School of Library, Archival, and Information Studies (SLAIS) will be hosting Anabel Quan-Haase for her talk “Serendipity Models: How We Encounter Information and People in Digital Environments” at the Lillooet Room, Room 301 of the Irving K. Barber Learning Centre.
On Tuesday, February 5, 4:00 p.m. – 5:00 p.m, the School of Library, Archival, and Information Studies (SLAIS) will host Anatoliy Gruzd, Assistant Professor at Dalhousie University for his talk “Automated Discovery and Visualization of Communication Networks from Social Media” in Room 461 of the Irving K. Barber Learning Centre.