BC China Scholars Forum Moving Words, Moving Images, UBC, April 9-10th, 2010. Keynote address: Jerome Silbergeld, P.Y. & Kinmay Tang Professor of Chinese Art History & Director, Tang Centre for East Asian Art, Princeton University What Is the “Chinese Motion” in Chinese Motion Pictures? Co-sponsored by the Museum of Anthropology (MOA). Chinese cinema, like other traditional Chinese arts, is frequently presumed to have a distinguishing national character. But what is that character? Scholars have often compared Chinese film to painted handscrolls and have occasionally suggested certain shared cinematic characteristics: slow pacing, shallow depth of field, and somber mood, among others. This lecture discusses the question of whether Chinese cinema can really be characterized in this way, and whether it truly has anything in common with the other Chinese visual arts. Webcast sponsored by Irving K. Barber Learning Centre.
Select Articles and Books Available at UBC Library
Silbergeld, J. (1982). Chinese painting style: Media, methods, and principles of form. Seattle: University of Washington Press.
P.Y. and Kinmay W. Tang Center for East Asian Art. (2013). The family model in Chinese art and culture. Princeton: Princeton Univ Press.
Silbergeld, J. (2012). Ang lee’s america, in living colour. Journal of Chinese Cinemas, 6(3), 283-297. doi:10.1386/jcc.6.3.283_1. [Link]
Silbergeld, J. (1999). China into film: Frames of reference in contemporary Chinese cinema. London: Reaktion.
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