Huichol Arts of Mexico presented by MexicoFest 2012

Huichol Arts of Mexico presented by MexicoFest 2012

Descendents of the Aztec, the Huichol number about 18,000, most of whom live in the sierra of Jalisco and Nayarit. Having withstood the Spanish Invasion, they strive to keep their culture alive and viable, despite the ever increasing physical and cultural encroachment of their Mexican neighbors. Some 13,000 of them have moved to cities like Guadalajara, Tepic and Puerto Vallarta, where they survive by plying their intricate art and handicrafts. Here in Vallarta, the Huichol and their art and culture have found respect and acceptance. Because their art has been on display in many art galleries, and showplaces for their art alone, for decades, they have become an important part of the history of Puerto Vallarta.

Huichol art represents their spiritual and religious beliefs, in anything from woven bracelets to colorful yarn paintings, to gourds inlaid with vibrant beads—depicting symbols such as the serpent, the sun, the jaguar, the deer and the peyote cactus. A common feature of Huichol art is the peyote button, the part of the cactus that they consume at least once yearly after they make a pilgrimage of hundreds of miles to desert at San Luis de Potosi or Real de Catorce, (known the Huichol as ‘Wirikuta,’ or ‘Field of  Flowers’), under the guidance of their shamans. The experience that they go through under the influence of peyote is not hallucinogenic to the Huichol; instead it is a way for them to connect with their gods and open their minds to the interconnectedness of all things, visible or otherwise.  What they see through the consumption of peyote, they translate into their art. These images tell the stories, myths and legends that make up their daily existence. The geometric precision and intricacy of their paintings and crafts represent the unconscious archetypes shared by all human beings. As such, Vallarta has absorbed their culture, as have many other places by means of the art the Huichol have sold to visitors from all over the world. Photos of this exhibition are available online here.

Accompanying Events: 

Portraits of Mexico / Weaving Beyond Mortality on Sept 1st – 16th Chinese Cultural Centre Museum of Greater Vancouver

This year’s art exhibit “Portraits of Mexico” will include Mexican and Canadian artists. Different types of art, such as watercolor paintings, digital, mix media, oil paintings, etc., will be featured.  We will also feature Huichol art from Jalisco and Nayarit; including on site live art by Huichol artist: Mariano Valadez and pieces from artist José Benítez Sánchez, known in the Huichol language as Yucauye Cucame, or “Silent Walker”. José Benítez came to be recognized as an undisputed master of original dramatic compositions, and his knowledge of the culture was respected by scores of other specialists in this medium by 1971. He remains unsurpassed in the fertility and inventive.

The Last Christeros on Sept 5th Mexican Cinema at Empire Granville 7 Cinemas

In collaboration with the Vancouver Latin American Film Festival (VLAFF) we will present the Mexican film: “The Last Christeros”, where the final days of a band of 1930s Christian rebels in the central Mexican wilderness are depicted with majestic stoicism in Matías Meyer’s elegant ode to independence.

Mexi-Go! Travel and Trade Expo on Sept 7th – 8th Vancouver Convention Centre

In partnership with Mexi-Go! we are bringing the first travel and trade expo of its kind in Canada. This trade show will bring Mexican and Canadian businesses together in a two-day Expo that will promote Mexico in Canada.

Independencia Gala Dinner on September 7, 2012 at Fairmont Hotel Vancouver

This year’s coveted Independencia Gala Dinner promises to be a night to remember. With a Mexican orchestra, dance floor and mariachi; guests will feel like they are in an elegant yet traditional party in Mexico. We are expecting over 400 people to attend.

Fiesta Mexico Independence 2012 on September 8, 2012 at Jack Poole Plaza, New Vancouver Convention Centre

The Fiesta Mexico Independence 2012 is the biggest event taking place during the MexicoFest. This event has activities for everybody and it is open to the general public. Activities include: kids zone, Mexican food vendors, live music, traditional Mexican dances, businesses’ booths, cultural pavilions and more.
For this year’s Fiesta Mexico Independence we are bringing from Monterrey, Mexico “Los Claxons”; a Mexican pop and alternative rock band who was nominated for the Latin Grammy in 2010 for best duo/group album. Los Claxons have released 4 albums since 2006, and have opened for groups such as Maroon 5.


Partners


For more information, please contact Allan Cho

Telling Stories with Data – SLAIS Presentations (June 15, 2012, 2-3pm)

What good is open data if we don’t know how to find and use it?  The digital age has ushered in new opportunities to better understand our communities and demand accountability from our governments. In an intensive two-day master class, digital publishing expert Phillip Smith introduced some of the “working with data” tricks he has learned in over 15 years working with advocacy organizations, publishers and groups such as Civic Access and the Electoral Data Consortium.  He is currently working to advance the field of “news innovation” through Mozilla and The Tyee.   Come join us as Josh Rose and Jonathan Kift present present on how organizations make sense of data, and to use data to tell compelling stories.

Dodson Room (Room 302), June 15, 2.00PM to 3.00PM 

Presenters

Josh Rose

I first became interested in Open Data while taking a Data Mining course in 2011 at Syracuse University through SLAIS distance learning. The course covered data mining theory and how machine learning can be used to extract knowledge and solve problems involving large amounts of data. Using Weka, an open-source data mining software application, I learned to pre-process and clean data for analysis before applying different machine learning concepts like classification, association rules, and clustering, to gain a clearer understanding of underlying patterns in data sets. For a final project, I combined Vancouver’s bicycle count data and publicly available weather and gas price data to show patterns of bicycle use in Vancouver over time. Currently, in my work as a GAA at UBC Library’s Assessment Office, I work with qualitative and quantitative data from surveys, usage statistics, and gate counts to create metrics to assess the library’s performance and reduce uncertainty in library decision making. I find working with data to be a challenging and rewarding process which I believe will only grow in importance as more and more data is collected and made available in all spheres of our lives. I am interested in attending the Tyee Master Class about Open Data to learn more about practical tricks and techniques for working with data as well as the chance to meet other workshop attendees and see how they are gathering, analyzing, and using data to benefit a larger community. This course will benefit me by allowing continued exploration of open data and analysis techniques, which I hope to use in my current and future jobs.

Jonathan Kift

Ever since I had the opportunity to listen to Andrea Reimer’s keynote at the ACCESS conference last October, I’ve been excited about the possibilities of working with Open Data in Vancouver. I developed a paper on GIS and Open Data for last Fall’s Community Informatics (LIBR 548H) class which I was able to turn into a poster to present at this year’s SLAIS Research Day. I feel that taking open data and making it accessible to the wider public through explanation and visualization is a skill that will be critical for taking my career where I want it to go. In addition, in my year as a co-op student at UBC LSIT (Library Systems & IT), I have had a chance to be part of several presentations to library staff and I feel comfortable in that role.


For more information, please contact: Gordon Yusko or Allan Cho

SLAIS Master of Arts in Children's Literature Program

The University of British Columbia Master of Arts in Children’s Literature Program
and
The Vancouver Children’s Literature Roundtable
Present
A talk by world-renowned children’s literature critic and historian, Leonard Marcus
Entitled:
“‘Let the Wild Rumpus Start’: Maurice Sendak as Storyteller and Psychologist”
Friday, October 12th, 2012, 4:30 – 5:30 PM
The Lillooet Room, Room 301, Level 3, Chapman Learning Commons,
Irving K. Barber Learning Centre, 1961 East Mall, University of British Columbia
Refreshments served
Book sales and signing
Free — No registration necessary
Maurice Sendak, foremost picture-book creator of the 20th century, died on May 8th 2012. Noted children’s book historian Leonard Marcus, drawing on his incisive research, conversations with members of the psychological community, and wide-ranging interviews with Sendak, the creator of Max, Mickey, and friends, presents a rare glimpse into the life and work of the most original children’s book artist of our time.
Leonard Marcus is a world-renowned children’s literature critic, children’s book historian, curator of children’s book illustration exhibitions, and interviewer of authors and illustrators. Described as “one of the children’s book world’s most engaging speakers,” he is a children’s book reviewer for the New York Times, a columnist on illustrated books for The Horn Book Magazine, a judge on national American children’s book juries, and a prolific author who has written highly acclaimed books and hundreds of articles on children’s literature and publishing.
Among his over 20 books are: Minders of Make Believe: Idealists, Entrepreneurs, and theShaping of American Children’s Literature, winner of the Children’s Literature Association Book Award; Show Me A Story: Why Picture Books Matter; The Annotated Phantom Tolbooth; Dear Genius: The Letters of Ursula Nordstrom; Golden Legacy: How Golden Books Won Children’s Hearts, Changed Publishing Forever, and Became an American Icon Along the Way; and Magaret Wise Brown: Awakened by the Moon.
Leonard Marcus has been a consultant to the Whitney Museum of American Art, National Book Foundation, All for Kids Foundation, Norman Rockwell Museum, National Center for Children’s Illustrated Literature, and Book Globe Company Ltd (Japan). He is a member of the national board of the National Center for Children’s Illustrated Literature (www.nccil.org) and the Mazza Museum national advisory board.He holds degrees in history from Yale and poetry from the University of Iowa Graduate Writers’ Workshop. In 2007, Leonard Marcus was awarded an honorary Doctorate of Humane Letters from the Bank Street College of Education. He lives with his family in Brooklyn, New York.
This colloquium is sponsored by the Vancouver Children’s Literature Roundtable and the University of British Columbia Master of Arts in Children’s Literature Program,
a Multidisciplinary Degree Program offered by two faculties:  the Creative Writing Program, Department of English and the School of Library, Archival and Information Studies in the Faculty of Arts; and the Language and Literacy Education Department in the Faculty of Education.
The Vancouver Children’s Literature Roundtable plans a series of annual events and conferences to bring award-winning authors, illustrators, editors and publishers to speak with students and Vancouver’s dynamic children’s literature community.