Featured Place at IKBLC: Atlin, BC

Featured Place at IKBLC: Atlin, BC

Our featured B.C. place for this week is the northern most place we have featured yet: Atlin. The town of Atlin and Atlin Lake are located along Highway 7, not too far south of the border with Yukon. Atlin likes to be called “Switzerland of the North” because of its wintertime beauty and activities. The name Atlin is derived from the Tlingit word atlah which means “big water.”  The town was founded in the late 19th century when gold was struck in the area, drawing thousands of settlers; today the population is around 450 people.

Our featured document is a photograph from our B.C. Historical Photograph Collection. It is an example of the importance of having access to the back (or verso) of some photographs, when they contain helpful inscriptions or stamps. The photograph was probably taken looking across Atlin Lake:

"Rift in the clouds", Atlin B.C.“Rift in the clouds”, Atlin B.C.

The title, “Rift in the clouds,” was inscribed on the back of the photograph, possibly by the photographer. By looking at the back, we can see the stamp of the photographer:

Verso of the photographVerso of the photograph

The photographer was L.C. Read, who, according to the Camera Workers of B.C., was active in the Atlin area up until around 1919.

If it were not for the photographer’s stamp on the back of the photograph,  we wouldn’t be able to say who the photographer was, and it would be unlikely that the location could be identified as Atlin.

To learn more about our historical photograph collections, consult our Photographs Research Guide. In the Irving K. Barber Learning Centre, the Atlin Meeting Room is number 191, on the first floor.

Cross-posted at UBC Library’s Rare Books & Special Collections.

Feature Place at IKBLC: Keremeos

It seems appropriate in our blog series about places in British Columbia used as room names in the Irving K. Barber Learning Centre to address researching the origin of place names. There are a number of sources that are useful for researching place names, and one here at UBC is the Norman Ogg Place Name Collection (see the finding aid here).  In 1979-1980, Norman Ogg undertook a study of the origins of place names in Canada (excepting Quebec) and Washington State.  He received many letters from town and city clerks and archivists explaining the origin behind their city’s name, as well as a number of ephemeral items such as brochures.

The place we are examining this week is Keremeos.  Keremeos is located in the Southern Interior of British Columbia and is in the Similkameen Valley.  The aboriginal people of this area, the Sylix, are now part of theOkanagan Nation Alliance. Horticulture and agriculture are the main industries in Keremeos, and the area is also home to Cathedral Provincial Park.  As Norman Ogg learned from the clerk of the Village of Keremeos in 1980, there are two theories behind the name Keremeos: it was believed to be derived from the Aboriginal language of the area to mean either “wind channel in the mountains” or “cut in two by water,” referring to the Similkameen River.

Letter to Norman Ogg from clerk of Village of Keremeos

Letter to Norman Ogg from clerk of Village of Keremeos.

Village of Keremeos.

(Click on the image of the letter to see a larger version).

Other sources for place names in British Columbia include BC Geographical Names (a free online resource),The encyclopedia of raincoast place names by Andrew Scott and many other books available at UBC Library which can be browsed by subject in the catalogue.

The earliest source for B.C. place names was written by Captain John Walbran, captain of the S.S. Quadra. This photograph is from the Chung Collection, which also contains a copy of Walbran’s book British Columbia Coast Names, and one of his chief officer’s logs.

Captain John Walbran, from the Chung Collection

Captain John Walbran, from the Chung Collection.

As described by the Dictionary of Canadian Biography, Walbran’s Coast Names is “an amazing grab-bag of history, biography, and anecdote,” and a “rich mass of anecdotes and digressions.”  It is a well-known and well-used source of British Columbia history.

In the Barber Centre, the Keremeos Lounge is on the second floor, adjacent to Ike’s Cafe on the south side of the building. A great place to have a cup of coffee and read up on B.C. place names!

Keremeos Lounge, adjacent to Ike's Cafe

Keremeos Lounge, adjacent to Ike’s Cafe.

Community Historical Recognition Program Video Online

This digital story is about Canadian senator Lillian Dyck’s family, her upbringing, and being of mixed Chinese and Native Canadian descent.    Since 2010, the Irving K. Barber Learning Centre has been working with community organizations on documenting and preservating Chinese Canadian-related family history projects.  These groups span the country from Victoria, BC to St. John’s, New Foundland, for a total of nineteen projects that will be showcased along with the work created by the UBC Chinese Canadian Stories Uncommon Histories From a Common Past project.

The Community Historical Recognition Program (CHRP) is a four program that provides federal government funding for community-based commemorative and educational projects that provide recognition of the experiences of ethno-cultural communities affected by historical wartime measures and/or immigration restrictions applied in Canada, and that promote these communities’ contributions to building Canada.   Working alongside Professor of History Dr. Henry Yu, UBC Library has embarked on this project to document the stories of Chinese Canadians to enrich our understanding of a period history that has been largely untold and undocumented.

 

Featured Place at IKBLC: Muskwa River

Interestingly, many of the group study rooms in the Irving K Barber Learning Centre are named after rivers in British Columbia. Room 416, a group study room on the fourth floor of the Barber Centre, is named after the Muskwa River, a river that runs 257 kilometres through northern British Columbia. The Muskwa River, a major tributary of the Fort Nelson River, flows east and north to merge with the Prophet River, before joining the Fort Nelson River.

Using some of the place name resources mentioned in the previous blog post on Keremeos, we are able to trace the different names that have been applied to the Muskwa River throughout the years; the “official” name of the river has changed a number of times since the beginning of the 20th century.

According to BC Geographical Names , on Gotfred Emile Jorgensen’s 1895 Map of the Province of British Columbia, it was labeled the “Sicannie River.” The Sikanni (Sekani) people, “dwellers of the rocks,” traded, hunted and lived near the river for hundreds of years. To read more about the history of the Sekani people of British Columbia, you may wish to read Sekani Indians of British Columbia, by Diamond Jenness.

However, what is now called the Muskwa River was labelled “Sikanni River” on BC Land’s map 1A, 1912 and then, in 1917, labeled the “Musqua River” on BC map 1H. It seems that there is some disagreement as to why the river was finally given the name Muskwa. According to George Philip Vernon and Helen Akrigg’sBritish Columbia Place Names, Muskwa is the Cree word for “bear.” Described by BC BookWorld as “self publishing pioneers”, the Akriggs first published their “landmark’ 1001 British Columbia Place Names in 1969; many editions followed through the years.

Other researchers believe that since the “custom apparently is for a separate band of the Sikanni Indians to hunt on [one and only one] of these rivers, […] the rivers receive the names of the leaders in each band…..thus Musquah’s River, Prophet’s River, Sikanni Chief’s River and Fantasque’s River” (BC Geographical Names http://archive.ilmb.gov.bc.ca/bcgn-bin/bcg10?name=8364).

Tracing the history of the name of the Muskwa River is a good reminder that one should consult multiple sources when doing research!

Cross-posted at UBC Library Rare Books and Special Collections.

Dodson Music Series: 'Let's Dance' – February 27 at noon

LET’S DANCE: PIANO MUSIC INSPIRED BY FOLK DANCE

Friday February 27th at 12:00 noon in the Dodson Room of the Irving K. Barber Learning Centre.

The Programme includes: “Adios Nonino” by Astor Piazzolla (David Bergeron, piano),
“Valses Poeticos” by Enrique Granados (Kunal Moorjani, piano), “The Garden of Eden” by
William Bolcom (Margit Juhasz, piano), selections from “Spanish Dances” and “Goyescas”
by Enrique Granados (Kathryn Schmitt, piano), and “Danzas Argentinas opus 2” by
Alberto Ginastera (Jared Miller, piano). The concert is directed by David Bergeron,
Artistic Co-Director of the Dodson Concert Series.

The Dodson Concert Series is a Friday noon-hour series organized and performed by
students of the UBC School of Music. For more information please contact Fiona Chow,
Artistic Co-Director at fionatchow@gmail.com

Admission is free.

“Humanities From Here" Webcast Online

Geoffrey Harpham is president and director of the National Humanities Center in Research Triangle Park, North Carolina, the only institute for advanced study in the world dedicated exclusively to the humanities. Kathleen Woodward is Professor of English at the University of Washington and has served as Director of the Simpson Center for the Humanities since 2000. They speak on the subject of “Humanities From Here: A Dialogue about the Place of the Creative Arts and Humanities at UBC”. This is part of an exploratory initiative to discuss the possibility of developing a humanities centre at UBC.  Webcast hosted by the Irving K. Barber Learning Centre.

RIGHT: The Red Tent Campaign

Image Credit: Rent Tent

Emily Carr University of Art and Design student Avalon Mott and recent graduate Katrina Humphries make their curatorial debut with works created by students enrolled in Community Projects: The Red Tent Campaign at the Irving K. Barber Learning Centre.  Conceived from a class project offered through the faculty of Community + Culture at ECU during the 2011 winter semester in partnership with Pivot Legal Society, this exhibit features unique pieces in a range of media, which participants created as a direct result of their engagement with the topic of homelessness, and specifically with the Pivot Legal Society’s Red Tent Campaign.

The majority of artworks included in RIGHT were originally created to support the participants’ activist-style public interventions, which were conducted in and around the city of Vancouver, between February and April 2011. By holding these interventions, students hoped to raise awareness about the issue of homelessness, educate the public about Pivot and their Red Tent Campaign, and familiarize people with bill C-304, an act (which since the recent election has been temporarily removed from parliament) that would provide secure, affordable, accessible, and adequate housing for all.

For more photos of this exhibition, please find here.

Drivers of environmental change: focus on energy transitions webcast online

Vaclav Smil is currently a Distinguished Professor in the Faculty of Environment at the University of Manitoba in Winnipeg, Canada. He completed his graduate studies at the Faculty of Natural Sciences of Carolinum University in Prague and at the College of Earth and Mineral Sciences of the Pennsylvania State University. His interdisciplinary research interests encompass a broad area of energy, environmental, food, population, economic, historical and public policy studies, and he had also applied these approaches to energy, food and environmental affairs of China.  He is a Fellow of the Royal Society of Canada (Science Academy) and the first non-American to receive the American Association for the Advancement of Science Award for Public Understanding of Science and Technology. He has been an invited speaker in more than 250 conferences and workshops in the USA, Canada, Europe, Asia and Africa, has lectured at many universities in North America, Europe and East Asia and has worked as a consultant for many US, EU and international institutions.  Webcast sponsored by the Irving K. Barber Learning Centre and hosted by St. John’s College.

Right: A Gallery Exhibition of Emily Carr University community projects class: The Red Tent Campaign

Emily Carr University of Art and Design student Avalon Mott and recent graduate Katrina Humphries make their curatorial debut with works created by students enrolled in Community Projects: The Red Tent Campaign at the Irving K. Barber Learning Centre.  Conceived from a class project offered through the faculty of Community + Culture at ECU during the 2011 winter semester in partnership with Pivot Legal Society, this exhibit features unique pieces in a range of media, which participants created as a direct result of their engagement with the topic of homelessness, and specifically with the Pivot Legal Society’s Red Tent Campaign.
The majority of artworks included in RIGHT were originally created to support the participants’ activist-style public interventions, which were conducted in and around the city of Vancouver, between February and April 2011. By holding these interventions, students hoped to raise awareness about the issue of homelessness, educate the public about Pivot and their Red Tent Campaign, and familiarize people with bill C-304, an act (which since the recent election has been temporarily removed from parliament) that would provide secure, affordable, accessible, and adequate housing for all.

Facebook Page

A page designed and up kept by the participants in Community Projects: The Red Tent Campaign.

https://www.facebook.com/pages/Lift-C-304/206081312736361

Tumblr Page

A Tumblr blog by Leslie Zacharkow and Tyler Scholl documenting their journey though Community Projects: The Red Tent Campaign. This site also showcases their final works shown in the Right exhibition.

http://liftbill.tumblr.com/

External Website

Created by Tom Fowle a student in Community Projects: The Red Tent Campaign.

http://www.livingwallstudio.com/redtent/project1.html

Pivot’s Website

http://www.pivotlegal.org/

Gina Botelho & Artists – Creative Outlets

Gina Botelho & Artists “Creative Outlets”

Image Credit: Gina Botelho & Artists

Gina Botelho and Artists presented the photography exhibition Creative Outlets, a combined vision of six Vancouver artists whose photography transcends the traditional art with such images such architectural, pop art, nature and the evocative beauty of remote lands.  This exhibition was featured in the Burnaby Now newspaper.   This unique group of artist included:

Andrew Mok – Andrew began his career as a Telecom Engineer and studied photography in his native land, Hong Kong. Andrew stays close to his passion for photography by working as a professional digital editor. Henri Cartier Bresson, Alfred Stieglitz and Diana Arbus have paved his path of inspiration.

Gina Botelho – Gina’s inexhaustible life energy fuels her enthusiastic, creative imagination which clearly overflows into her beautiful imagery. She takes her photographs far and beyond the snapshot with her unique and creative digital transformations. This not only provides true self-fulfillment, but also the most intriguing visuals for her audience to enjoy.

James Yip – Appearances can indeed be deceiving. James’s driving force lies within his heartfelt love of birds. Photographing them in their natural habitat while being ever cautious to not disturb them is a true and fulfilling art to James. He is a man with a truly infectious personality and he seems to have the ability to take any idea and turn it into an artistically visual venture.

Marek Gronowski –  As a professional photographer, Marek’s career focus is international hotel photo shoots for internet marketing and the travel industry. Accommodations around the entire world has become his commercial palette. However, his real passion starts after hours when he ventures into the exotic unknown darkroom of his mind… et voila another masterpiece comes to life.

Pennie Lou – Pennie is an original visionary thinker, always ready to embrace an opportunity to experiment with novelty. Her fresh approach is truly original which results in the most innovative and fascinating photographic imagery.

Ron Lee – Ron reveals his architectural mind in motion as it embraces all the finely balanced details, colours and elegant lines of his  refined photography. He chooses to retain the inherent natural beauty of his subjects and tends to stay away from digital manipulation.

To see photos of this exhibition, please find here.