Webcast sponsored by the Irving K. Barber Learning Centre and hosted by the Vancouver Institute. A native of South Africa, Ms. Logan has earned a reputation as one of the world’s best foreign correspondents, reporting stories from most of the world’s major conflict zones including Egypt, Afghanistan, Northern Ireland, Israel and Kosovo. Her courageous work has earned her some of the most prestigious awards in her field, including a duPont-Columbia University Silver Baton, an Emmy, an Overseas Press Club Award, an Edward R. Murrow Award, and five American Women in Radio and Television Gracie Awards. She was the only journalist from an American network in Baghdad when the U.S. military invaded the city, reporting live from Firdos Square as the statue of Saddam fell. Before formally joining CBS, Ms. Logan already had 14 years of journalism experience in the international broadcast news arena with ITN and Fox/SKY, ABC, NBC, CNN and the European Broadcast Union. This lecture is cosponsored by UBC’s Global Reporting Centre.
This event took place on September 17, 2016.
Select Articles and Books Available at UBC Library
Beg, M. A. (1999). National security: Diplomacy and defence. Rawalpindi: FRIENDS Publication. [Available at Koerner Library- UA853.P3 B444 1999]
Snow, D., & Taylor & Francis eBooks (2016). Thinking about national security [Link]
Take a journey through some of the most interesting, unique, weird, and significant moments in Canadian history. From a rebellion on the prairies to coureurs de bois serving on the Nile River, learn about some of the people, moments, and events that changed the course of the nation, the continent, and the world, proving that Canadian history is both important and entertaining.
Speaker:
DAVID BORYS, PhD, is a writer and lecturer who currently teaches history at UBC and Langara College. He specializes in Canadian history and the study of war and society. David has written for the Globe and Mail, the Toronto Star and has a list of publications in various edited collections and scholarly journals. He is also the writer and host of the podcast, Cool Canadian History, showcasing all the weird, wacky, wild and wonderful things to do with Canadian history. Find him on Twitter @docborys
Course Format
The format of this course is in-class.
Code: UP927F16A
Offered: Saturday Nov 26, 2016 9:30am-4:00pm
Location: Irving K Barber Learning Centre Room 191
As part of the 44th Annual Conference of the Canadian Association of Information Science (CAIS), Jennifer Preece, Professor of the College of Information Studies at University of Maryland will be hosting a discussion about the new challenges for Information Studies in this period, known as the anthropocene. Humans are now having a profound influence on the planet, changing the atmosphere we breathe and reshaping the earth’s surface, thereby triggering species extinction at an alarming rate.
Information Studies professionals and students can have a profound influence on the data that is collected, how it is stored, retrieved and communicated with citizens and communities. We have a responsibility to help to heal our planet by raising awareness and triggering action. This talk challenges researchers, practitioners, teachers and students to lead the way in shaping a sustainable future. We can change information processes and technology, raise awareness, and engage citizens to contribute to science and their own communities by becoming “citizen scientists”.
Speaker:
Jennifer Preece, co-author of Interaction Design: Beyond Human Computer Interaction (4th Edition, 2015), helped to define research on online communities through her book Online Communities: Designing Usability, Supporting Sociability, 2000. Her current research focuses on information processes and technology for supporting citizen and environmental science; with an emphasis on community participation for collecting biodiversity data. Preece was dean of the College of Information Studies – Maryland’s iSchool for ten years from 2005 – 2015. Click here for further information about her career.
Event Details
When: November 9, 2016 12:00-1:00 p.m.
Where: Irving K. Barber Learning Centre, Dodson Room (Room 302)
For more information about the CAIS conference, click here.
The Rare Books and Special Collections has sponsored a series of talks in honour of Remembrance Day. The talks will all be held in the Lillooet Room (301) of the Irving K. Barber Learning Centre.
Tragic Bravery: Canada and the Battle of Hong Kong
When: November 4, 2016 12:00-1:30 p.m.
Speaker: Cameron Cathcart, President of the Royal United Services Institute – Vancouver Society (RUSI) and director of Vancouver’s Remembrance Day ceremonies at Victory Square
A trench bridge (World War I 1914-1918 British Press photograph collection, BC_1763_0955)
When asked if he thought the British Colony of Hong Kong could be defended against an invasion by the Japanese in 1941, Winston Churchill replied, “not the slightest chance”. This prediction forms the background to the fatal decision by Ottawa 75 years ago to send Canadian troops into the maelstrom that became known as the Battle of Hong Kong. As the 75th anniversary of the Battle of Hong Kong approaches, Cameron Cathcart will provide an overview of the battle, its aftermath, and delve into the personal lives of the brave Canadians whose lives were changed forever.
Canada’s Secret Sailors: Asian Crewmen and Canadian Vessels in the Indo-Pacific Theatre
When: November 8, 2016 12:00-1:30 p.m. Speaker: Clifford J. Pereira, FRGS, Independent researcher, curator, and museum consultant
Based on research gathered over the last two years from national, provincial, and naval archives in Canada, Australia, and the U.K, Clifford J. Pereira will tell the forgotten story of hundreds of non-resident Asian seamen on vessels of the Canadian Pacific Railway deployed by the British Admiralty in the Pacific and Indian Oceans during the First World War.
Remembering the Great War with Canadian Writers and Artists
Sailors and Chinese labourers abroad the Empress of India (Chung Collection, CC_PH_02426)
When: November 10, 2016 12:00-1:30 p.m. Speaker: Sherrill Grace, OC, FRSC, Professor Emerita of English and University Killam Professor
While Canada has been surprisingly low key about commemorating the Great War since 2014, we do have a wealth of artistic material that does important work in reconstructing and remembering the war. Dr. Sherrill Grace will consider how Canada remembers the war, and why it is important to do so, focusing on works by Canadians writing about the war from a late-20th century perspective.
In conjunction with the talks, a special display, Empires and Empresses at War, will be featured in RBSC’s Chung Collection exhibition room from November 4-November 30, 2016. The display, curated by Clifford J. Pereira, with curatorial assistance from Katie Sloan, showcases the importance of Canadian shipping vessels and the role of Asians and Asian-Canadians serving on Canadian vessels during World War I.
For more information, please contact Rare Books and Special Collections at 604 822-2521 or rare.books@ubc.ca.
Canadian composer Howard Bashaw’s sound-art performance installation The Resonance Prism was premiered in 2014 in a concert event entitled Sound Space Architecture in the University of British Columbia’s Centre for Interactive Research on Sustainability. Performers were required to both realize the specific material presented in the score and generate imaginative, inspired improvisations. The chosen venue functioned metaphorically as a prismatic enclosure, refracting and transforming light into complex and layered dimensions of color, time and sound. With this work, Bashaw abandons the constraints of traditional music notation for innovative possibilities inherent within graphic notation and visual symbols. The viewer is invited to experience this collision between music and art and to imagine the translation of this graphic score into sound.
The Resonance Prism contains ten contrasting sequenced movements that are each separated in the form of a graphic collage, where the conductor combines and recombines a range of components during the performance through layering and evolving. Accompanying each collage is a visual statement that is projected during the performance and viewed simultaneously by the performers and the audience. These images facilitate the performance and evokes various sonic images in the minds of the audience, creating a dynamic engagement between the conductor, the audience, and the performers.
Artist’s Statement- Howard Bashaw
“Although not new, ‘sound, space and architecture’ certainly endures as an alluring compositional challenge. I began by imagining the atrium as an enormous prism; one that reflects natural light (metaphorically speaking) into new broad, successive regions: the first containing various manifestations of colour and harmony, and the second, various manifestations of rhythm and pattern. The score is designed specifically to inspire more so than to prescribe, and therefore takes form as ten full-colour, highly-detailed graphic collages. It uses specific pitch-color correlations throughout, and, in extension, incorporates the natural spectrum as the fundamental, organizing principle for the entire work. The ensemble is divided into three groups: the background source spectra (electronics); the middle-ground transitional spectra (percussion and electric guitar), and the foreground antiphonal spectra (three spatialized choirs: winds, brass and strings). The conductor functions as a dynamic collaborator, interpreting and shaping the wood anew with every performance.”
Graphic Scores
Bashaw shows how art and music are colliding in the 21st century with the use of musical notations in his graphic scores. Artists and musicians can now experiment with musical notations to create beautiful visual scores as modern works of art. This becomes a performance installation that provides a different experience to the audience than the traditional concert style performance.
American Musicological Society
The exhibition coordinates with the American Musicological Society‘s joint conference with Society for Music Theory held at the Sheraton Vancouver Wall Centre Hotel. The AMS was founded in 1934 as a non-profit organization to advance “research in the various fields of music as a branch of learning and scholarship”. In 1951, the Society became a member of the American Council of Learned Societies. Today, the society currently has 3,500 members and 1,000 institutional subscribers from forty different nations.
The American Musicological Society and the Society for Music theory bring together academics, graduate students and other professionals specializing in musicology and music theory. This joint conference marks the largest single gathering of participants in the field of music and humanities in the world this year. This conference marks the eightieth-second meeting for the AMS and thirty-ninth annual event for the SMT. The event will provide attendees an opportunity to a wider network, share knowledge, and explore new directions in music research and practice. The event has scheduled over 350 presentations, a number of large performances, small meetings, receptions, and other exciting events.
Register: Registration rates for regular members before October 28th are $135 and $75 for members who are students or retired. Non-member registration fees are $225 and $135 for non-members who are students or retired.
The exhibition will take place from Tuesday, November 1st to December 28th, 2016.
The School of Library, Archival and Information Studies is pleased to welcome Anne Lindsay, Access and Research Archivist for the NCTR, as a speaker in the iSchool’s Winter 2017 Colloquium program. She is speaking Wednesday, January 18, from 12:00 p.m. to 1:00 p.m. on the topic of “Beyond Jenkinson: Authority, provenance, and Arrangement in a Complex Digital Collection at the National Centre for Truth and Reconciliation.”
Event Details
The talk will be given in the Dodson Room (Room 302), 3rd floor of the Irving K. Barber Learning Centre. Registration is not necessary and the talk is open to all interested members of the community. Light refreshments will be served.
Chosŏn and Qing discussions of their relationship from the mid-1870s to the early 1880s suggest strategic understandings of existing institutions and their limitations as informed by the rapidly changing geopolitical, economic, and technological geographies of the day. Indeed, the debates of this period produced a new vision of the Qing-Chosŏn relationship that would have eliminated large swaths of tributary practice in an effort to enable Chosŏn to participate in the currents of the global modern on its own terms and thereby become a strong albeit junior partner of the Qing Empire in world affairs. This future of bounty and vitality, however, was to become a vision doubly lost, first by virtue of Qing military occupation and political interventions and then again through generations of occidentalist elision in the fields of history and IR alike. This paper recovers this vision with particular attention to its embrace of the global modern as a move toward a critical pluralism that creates disciplinary dialogues between history and critical IR. This is part of One Asia Forum’s Talk Series which will also feature guest speaker Professor Joshua Van Lieu from LaGrange College.
Event Details
Date and Time: November 17, 2016 4:00-6:00 pm
Where: Irving K. Barber Learning Centre Room 461
About the speaker: Dr. Van Lieu is a historian of early modern and modern East Asian politics, thought, and international relations. He received his doctoral degree from the University of Washington in the histories of Chosŏn Korea and Late Imperial China. Having served as assistant editor and book review editor of The Journal of Korean Studies, Dr. Van Lieu currently is an assistant professor and the Curriculum Director for Asian Studies at LaGrange College. He has published on nineteenth-century Qing-Chosŏn tribute politics, the historiography of reform movements in late Chosŏn Korea, the roles of state Guanti cults in Ming, Qing, and Chosŏn narratives of state legitimacy, and critical approaches to historical international relations.
TomoeArts will be screening a series of full live video performances from their Shôchiku’s Kabuki Meisakusen Series at the I. K Barber Learning Centre. The performances feature several talented onnagata (female role) actors such as Nakamura Jakuemon IV (1920-2012) and Bandô Tamasaburô. All screenings will be held at the I. K Barber Learning Centre in Chilcotin Room, room 256.
Sumidagawa: The Sumida River
When: Monday October 17,2016 7:00-8:30 pm
The first screening is the moving dance play Sumidagwa (The Sumida River), featuring Kiyomoto style music and was first premiered in 1919. The performance follows a desperate woman from Kyôto searching for her lost son. Her journey brings her to the banks of the Edo’s Sumida River where she encounters a boatman to take her across the river in search for her son. This role, played by Nakamura Jakuemon IV, is considered one of the most challenging female roles in kabuki.
Akoya-The Courtesan Akoya
When: Monday January 23, 2017 7:00-8:30 pm
Akoya is a scene from the puppet play Dan no Ura Kabuto Gunki which first premiered in 1732 and was later restaged as a kabuki play. This scene, originally known as the “Koto Torture Scene”, shows Shigetada questioning the courtesan Akoya on where her lover, the defeated Heike warrior Kagekiyo, is. Shigetada forces Akoya to answer his questions while she plays various traditional Japanese instruments such as the koto, shamisen and kokyû (lap fiddle). The actor who plays Akoya requires years of special training to be able to play all three musical instruments on stage for this performance.
Ninin Dôjôji-The Two Maidens at the Dôjô Temple
When: Monday March 13, 2017 7:00-8:30 pm
This performance shows the two-dancer version of the famous play, Musume Dôjôji, where the double spirit of Kiyohime comes to the Dôjô temple as shirabyôshi dancers, Hanako and Sakurako. Their jealous serpent-selves are revealed as they destroy the bell that once hid their lover who ran away from them.
Tomoe (pronounced toh-moh-ay) Arts is a company based in Vancouver, Canada that promotes, teaches, and performs nihon buyoh or Japanese classical dance. They also create and present performances incorporating the forms and aesthetics of Japanese traditional performing arts. Visit TomoeArts to learn more.
All entrance is free and there will be English commentary provided at all recordings. The nearest parking for the I. K Barber Learning Centre are the Rose Garden and North Parkades. Parking at UBC is $7 after 5pm. Find other parking on campus here.
Join us for a free discussion with a panel of experts who will explain what personalized medicine can tell you about your potential for heart health issues, and how doctors and researchers in British Columbia are collaborating to identify your risks, detect early warning signs and deliver individualized treatments. Learn how implementation of personalized medicine into BC healthcare can change clinical practice, improve health outcomes, and reduce health costs. This event will include a brief presentation from each panelist, followed by Q & A with the audience.
When: Tuesday, November 15, 2016
Time: 6-8 pm
Location: The Orpheum Annex- 823 Seymour Street, Vancouver BC
Panelists:
Dr. Andrew Krahn, Sauder Family and Heart and Stroke Foundation Chair in Cardiology
Dr. Andrew Penn, Director, Stroke Rapid Assessment Unit, Victoria General Hospital
Dr. Filip Van Petegem, Professor, UBC Department of Biochemistry & Molecular Biology
The Talk will be moderated by Elaine Yong, Senior Communications Specialist, Media Relations, for Providence Healthcare & hosted by Dr. Pieter Cullis, Director, UBC Life Sciences Institute.
This is a free event and walk-ins are welcome. However, space is limited so please click here to register.
For more information on heart health, please visit the Heart and Stroke Foundation website. For those interested the discussion document entitled Roadmap for Bringing Personalized Medicine to British Columbians is available for download here {PDF}.
What: It’s a 2 day unconference! A participant-driven meeting featuring lightning talks in the mornings, breakout sessions in the afternoons, with coffee, tea and snacks provided. Lightning talks are brief presentations which are typically 5-10 minutes in length on topics related to library technologies. Breakout sessions are an opportunity to bring participants together in an ad hoc fashion for a short, yet sustained period of problem solving, software development and fun.
When: December 1 & 2, 2016
Where: UBC Irving K. Barber Learning Centre, Dodson Room
Who: A diverse and open community of library developers and non-developers engaging in effective, collaborative problem-solving through technology regardless of their department or background.
Why: Why not? code4libBC is a group of dynamic library technology practitioners throughout the province who want to build new relationships as much as develop new software solutions to problems.
Cost: $30, please click here to register for this event.
Code of Conduct: As a Code4Lib event, we adhere to the Code4Lib Code of Conduct, which seeks to provide a welcoming, harassment-free environment. Please see the Code of Conduct for further details or check out their past events here. For more information including schedule, talks and sessions sign up, please see the code4libBC wiki page.