Small Business Accelerator in Vancouver Observer

Small Business Accelerator in Vancouver Observer

The Small Business Accelerator, a new initiative of the Irving K. Barber Learning Centre, is featured in the Vancouver Observer.

You can read the article here, and you can find out more about the Small Business Accelerator here.

1759 And the Future of the Memory in Quebec Webcast Online

Webcast sponsored by the Irving K. Barber Learning Centre and hosted by the Faculty of Education. In the summer of 2009, the battle of the Plains of Abraham was fought one more time in Quebec. The debate that stormed over the commemoration of the event proved that it is not easy to negotiate the meaning of this founding moment of Quebec’s destiny. Yet, it has been 250 years since “the English burned our farms and bombed our city”. What is to be done today with the Conquest, its history and memory?

Mexico Fest 2010 – Exquisite Corpse

Image credit: Consulate General of Mexico

In collaboration with the Mexican Consulate as part of MexicoFest, the Learning Centre presented “Exquisite Corpse” (also known as “Exquisite Cadaver” or “Cadavre exquis”), which is also a technique consisting on collectively assembling words and images.  Each collaborator adds to a composition in sequence, by being allowed to see only a small section of what the previous person contributed.  Artists that had been featured at this exhibition included: Richard A. Kent, Alfonso L. Tejada, Miriam Aroeste, Claudia Segovia, Sergio Toporek, Adriana Zuñiga and Davide Merino.

The technique was invented by Surrealists and is similar to an old parlour game called Consequences in which players write in turn on a sheet of paper, fold it to conceal part of the writing, and then pass it to the next player for a further contribution. Surrealism principal founder André Breton reported that it started in fun, but became playful and eventually enriching. Breton said the diversion started about 1925, but Pierre Reverdy wrote that it started much earlier, at least before 1918.
To see more photos of this exhibition, please find here.

The Nation and the City Webcast Online

Webcast sponsored by the Irving K. Barber Learning Centre. The Citizenship Without the Nation conference was a two day conference held at the Liu Institute for Global Issues from October 29 – 30, 2010. The conference explored how regional and local dialogues intersect with the national discourse on citizenship. There is significant work on citizenship at the national level, but the same issues take on very different meanings in the Vancouver context given the mix of residents in the city, the languages they speak, and the city’s geographic location. Sessions considered how people belong to neighbourhoods, cities, regions and nations. Participants were asked about the possibility of belonging to several communities at once and interrogated what happens when the promise of national citizenship fails to deliver locally. The counterpoint was also addressed: what happens when the local fails to live up to the national ideal?

Chair: Ellen Woodsworth, Vancouver City Councillor

Daniel Hiebert, Professor of Geography, University of British Columbia

Baldwin Wong, Social Planner, City of Vancouver

Andrew Pask, Director, Vancouver Public Space Network

Hayne Wai, Past President, Chinese Canadian Historical Society of British Columbia

El Cadáver Exquisito: Reflejos del Alma Mexicana at IKBLC Gallery

El Cadáver Exquisito: Reflejos del Alma Mexicana
November 22nd – December 20th

Gallery located at Irving K. Barber Learning Centre, University of British Columbia
The “Exquisite Corpse” (also known as “Exquisite Cadaver” or “Cadavre exquis”) is a technique consisting on collectively assembling words and images. Each collaborator adds to a composition in sequence, by being allowed to see only a small section of what the previous person contributed.

The first artist paints a space divided in three parts (sky, horizon and surface), with his/her personal style and technique. After having covered this first part, only the last lineal centimeter of the painting is left uncovered on the right side. The next artist then paints his/her section starting from the visible space, following the same rules.

This technique was invented by surrealists Robert Desnos, Paul Eluard, André Bretón and Tristan Tzara in 1925. The first section represents life, the middle section represents love and the last section represents death (three aspects that are constantly present in the Mexican culture).

The collected works of the original canvas will be cut and returned to its creator, and thus to be unveiled by the same author at the opening reception. Each artist will then mount his/her work on wood frames separately. At the exhibition, the audience will appreciate the thematic of the collection; in addition, to the continuity of one painting to the next one.

To complement this exhibition, each artist will bring three to four paintings of their own collection.

For more information, please go to: http://mexicofest.ca/

Stewart Brand's "Rethinking Green" Webcast Available online

Webcast sponsored by the Irving K. Barber Learning Centre. Hosted by UBC Reads Sustainability Lecture Series, and held at the Liu Institute of Global Issues, Steward Brand has been an environmentalist for over 40 years, and shares his wisdom in his new book, Whole Earth Discipline: An Ecopragmatist Manifesto. His book is a compilation of his reflections and lessons which suggest a shift in the environmentalists’ dogmatic approach, and describes a process of reasonable debate and experimentation. His iconoclastic proposals include transitioning to nuclear energy and ecosystem engineering, and are sure to provoke widespread debate. He has helped define the collaborative, data-sharing, forward-thinking world in which we live. Brand is the founder of the Whole Earth Catalog, the Global Business Network, the Long Now Foundation and the Well.